Sin Titulo, Mural de Alejandro Otero, 1954 (I)
- This model is a work in progress. Image donations to help complete this model can be made at https://digital-content-donation.arck-project.org/ “Sin Título” (1954) by Alejandro Otero located at the University City in Caracas, Venezuela. Photo registry by Rafael…
Sin Título, Victor Valera, 1956
- Sin Título (1956) by Víctor Valera (1927 - 2013), located at the University City of Caracas, Venezuela. Photo registry by Jennifer Calatrava and Gustavo Lagarde in March 2018. This piece is a part of the collection “Synthesis of the Arts” at the University…
Negra Hipólita Statue (1996)
- Negra Hipólita by Alexis Mujica (1996). Located at the Collection FMN (Fundación Museos Nacionales), custody of GAN (Galería de Arte Nacional) in Caracas,Venezuela. Dimensions: 165 x 70 x 70 cm. Photo registry done by Luis Chacín in August, 2017.
Sin Titulo, Vitral de Alejandro Otero, 1954 (III) (Version 2)
- Sin Titulo (1954) by Alejandro Otero (1926 - 2014), located at University City in Caracas, Venezuela. The photographic record by Daniel Zambrano and Cruz Sojo in February 2018. This piece is a part of the collection "Synthesis of the Arts" at the University…
La Cochera at Quinta de Anauco
- La Cochera (The Garage) at Quinta de Anauco (1797). Located at the Colonial Art Museum at Anauco House in Caracas, Venezuela. Photo registry by Luis Chacín on September 9, 2017.
Niño Jesús Statuette (I)
- Niño Jesús, artist unknown (late 18th century). Located at the Colonial Art Museum at Anauco House in Caracas, Venezuela. Photo registry by Consuelo Andara in April 2018.
Baulito
- Small trunk, anonymous artist (circa 1820). Located at the Colonial Art Museum at Anauco House in Caracas, Venezuela. Photo registry by Daniel Santos in April 2018.
Imagen de la Virgen de El Carmen
- This "imagen de vestir" (a type of processional sculpture intended to be clothed) represents "Our Virgin of Mount Carmel". It is made of polychrome wood. The Virgin holds Baby Jesus on her lap. Jesus's right-hand holds a scapular in a delicate gesture. The…
Par de Floreros
- From the Church of Our Lady of Mercy, 1962
Salero
- Salt shaker, anonymous artist (17th century, Teruel, Spain). Located at the Colonial Art Museum at Anauco House in Caracas, Venezuela. Photo registry by Félíx León in April 2018.
Busto de Simón Planas Suárez
- Full scale marble bust of Venezuelan lawyer, diplomat and academic Simón Planas Suárez (1879-1967) created by Italo-Venezuelan sculptor Aldo Macor.
Sin Titulo, Mural de Mateo Manaure, Estadio Universitario
- Mateo Manaure. Straight and curved lines in black yellow and green, with three circle-shaped figures on purple, orange and yellow on a white background.
Sin Titulo, Mural de Carlos Gonzalez Bogen (Mural 2), Estadio Olimpico
- Carlos Gonzalez Bogen. Triangles blue, black and yellow on a grey background.
Sin Titulo, Mural de Armando Barrios (Mural 1), Estadio Olimpico
- The mural print is a chromatic variety to the exterior of the UCV Olympic Stadium. It was created in 1951 at the request of the architect Carlos Raúl Villanueva for his project "Síntesis de las Artes Mayores" (Art Synthesis) at Central University of Venezuela,…
Exterior del Taller Galia, Facultad de Arquitectura. Alejandro Otero
- It is easy to understand why the Architecture Faculty Building at the University of Caracas was a favorite location for Carlos Raul Villanueva. Even the classrooms for Architecture Design are outstanding, and this exterior wall of one of these classrooms (The…
Tres Sillones Presbiteriales
- Three chairs made of carved cedar wood, connected as one piece of furniture. Chairs placed in the presbyteries were a symbol of the hierarchy between clergymen.
Butaque o Ture
- Spanish X-Frame chair featuring a wooden butaque with a non-folding base and embossed leather back and seat, attached to the wooden frame with metal rivets.
Quinta de Anauco, Museo de Arte Colonial (Façades Combined)
- Combined façade responds to the exterior corridor, which covers the main entrance of Quinta de Anauco, Colonial house. It reflects the simplicity, elegance, and functionality of Venezuelan civil architecture of the second half of the 18th century.
Façade and Garden - Quinta de Anauco, Museo de Arte Colonial de Caracas (Section J)
- Façade of the Quinta de Anauco with tile roof and garden typical of a colonial country house. It reflects the simplicity and elegance of Venezuelan architecture in the Hispanic period.